Ted
Nugent:
Master of Eloquence by Alice C. Teeple
Nugent attempts to make it perfectly apparent
that Disney's animated films and reality are as congruent as epoxy and
Vaseline. Bleeding-heart PETA advocates who base their anti-hunting
stands upon a non-existent character frustrate him. "I've heard Bambi's name raised at state wildlife hearings, and I've wanted to hang my head and weep. Only an idiot would attempt to establish policy based on a cartoon character. It totally reduces the value of our true natural resources. It's like using Elmer Fudd as a role model." I agree with Uncle Ted one-hundred percent. Put forth so frankly, the notion certainly does seem ridiculous. Where does one stop when basing real-life issues upon fiction? In 1992, Dan Quayle lambasted Murphy Brown for moral degeneracy because she decided to become a single mother. Quayle's argument may have been more grounded and rhetorically sound had Murphy Brown been a real person. And Quayle, once again, became the laughingstock of the nation. What next, the banning of the anvil?
Bambi, by Felix Salten is an entirely different tale than the sugarcoated Disney version (no surprise there). Like Anna Sewell's Black Beauty, or Jack London's Call of the Wild, the author anthropomorphises the animal protagonists in order to gain an alternate perspective of what the life of an animal must be like. A creative endeavour, indeed. Salten's Bambi examines the realities of nature and life through the eyes of a deer. Man's role is criticised, but still accepted as another natural threat, such as starvation or mountain lions. In truth, we humans have no clue as to what a deer thinks or feels. Nugent argues that is is absurd for people to go about trying to make others socially consious of something that never even happened in real life. In short, Nugent is appalled and nauseated by watching society allow itself to be dictated by a cartoon. Let me re-iterate this. My father is a museum
curator, and he frequently travels to grammar schools to talk to kids about
history. Most of the kids in a particular second-grade class he visited
had just seen the movie Titanic. Most of their questions dealt
with "Rose" and "Jack." Being young tots, they had absolutely no
Animals overpopulate, they starve, and they subsequently
appear in places where they should not be. Deer that cause five-car
pileups are fleeing the woods in search of food for the adorable fawns
back home in the cosy thicket. Well - at least in Disney's world.
Disney ALSO neglects to inform us that Bambi is a genetic abnormality,
as deer generally give birth to twins. This is Nugent's point: this Morally speaking, it is even more inhumane to
allow an animal to live under such atrocious conditions, such as starvation.
Nugent is aware of these truths, which is why he is so adament about lifting
the Disney veil that has clouded the public's perceptions. Put those
poor animals out of their misery! But god forbid the bunny gets shot.
This social commentary is cleverly disguised as
a critical analysis for a popular culture magazine. This is not a
snipe at Disney itself, but rather an insight on the absurdity of popular
culture today. Ted Nugent utterly fulfills his intentions by pleading
with the reader to wake up and smell the coffee, and to stop being led
astray by this rubbish. Indeed, Mister Sweet Pootang succeeds. |