Dumb it Down
by Alice Teeple


 

We celebrate the advent of technology.  It is programmed into our human DNA, right next to the strand that programs us to gravitate towards water.  We are quite proud of our achievements.  Thanks to the miracles of technology, humans have not only seen, but split the tiniest entities of nature.  Humans have sent their creations hurtling heavenward to photograph places and things which we shall never see with our eyes alone.  We have done marvellous things: we've written glorious symphonies, learnt how to communicate instantly with each other across thousands of miles...and produced a lovely little programme called Will You Marry My Dad?

WILL YOU MARRY MY DAD??? Yup.

The first lesson any alien life form must learn about humanity is that there is a lowest common denominator factor present: one that drives us to wrestle in lime Jell-o; one that sends us to monster truck rallies; one that persuades us to read Cosmo and Maxim.  Moreover (and this is the real kicker, folks) humans derive PLEASURE from these things.
 
 
 
 
 

Man has proven time and again to be simultaneously ingenious and idiotic. This is especially true in the case of mass media.  When Gutenberg (voted by A&E as the most important person of the last millennium) invented the printing press, literacy rates eventually skyrocketed. People found empowerment through literacy.  When Martin Luther translated the Bible into German, people could at last interpret Scripture on their own, rather than having to rely on a priest to do it for them.  Holy Mary mother of god, the priests did shudder. This revolutionary act, in turn, led to the Reformation, and its repercussions continue to haunt the modern Christian world.
 
 
 
 
 
 
 
 
 

When we think of Renaissance literature arriving with the dawn of the printing press, we generally think good things.  We think "Sir Francis Bacon." "William Shakespeare." We tend to overlook the less-palatable things that this advent of technology brought, however...and, in particular, one of special significance to the people of the United States.  It involves one Amerigo Vespucci, after whom this mighty nation was named.

       Vespucci came to the world's attention chiefly through the publication in 1503 and 1504 of two brief letters he purportedly wrote toLorenzo de Medici about a voyage undertaken for the king of Portugal.  Obviously the work of an educated man...the letters managedto be both scholarly and entertaining, combining a sober discussion of navigational issues with the news that the natives of the NewWorld would have sex with anybody, including Mom. Vespucci, or perhaps his anonymous publisher, also had the wit to entitle thefirst letter Novus Mundus, the New World, an audacious, and, as it turned out, accurate claim.

   The letters were by far the most interesting account of explorations in the Americas that had appeared up to that time, and caused asensation that, if anything, exceeded that created by Columbus's description of his first voyage ten years earlier.  The letters werereprinted in every European language and soon came to the attention of Waldseemueller and his friends, who were members of a thinktank of sorts in the town of Saint Die, Lorraine, now part of France.  The Waldseemueller group published CosmographieIntroduction - the first attempt ro update the geography texts of the ancients.  They were quite taken with Vespucci's idea that theAmericas were a new land, since it meant they had gone beyond the knowledge of the ancients, whose shadow they had long toiled.
        They thought it only that AV's name grace the new land, of whose extent they had at that point only the vaguest inkling.
                                                                    Cecil Adams, "The Straight Dope."
 
 

That's right, kiddies.  The land of the free was named after the man responsible for the mass exodus to the New World...not solely for the fact that he was a "map-maker," as we were taught in school (although this was indeed a fact).  Of COURSE the Europeans were "taken with Vespucci's idea."  After reading his account, people left in droves to....ahem....discover the "New World" for themselves.  It was the first mass-produced pornography in world history, and it's the main reason why we're here.

Fast-forward three hundred years to Europe, when the invention of photogrpahy shook the art world.  Louis Daguerre and William Henry Fox Talbot, within three weeks of each other, had discovered the ability to reproduce exact images of people.  No longer would portraiture be distorted (no matter how minutely) by human error.  More importantly, as alluded to in Plato's Republic, humans could at last be subjected to images of truth.

Photography became the defining illustration of reality.  People could not deny what the photograph showed.  The photograph depicted the true horrors of war during the American Civil War (no matter that many of the dead bodies from the Battle of Gettysburg were moved and arranged....some actually being the same bodies, dressed in different uniforms).  Photography also brought the industrial world to its knees when Lewis Hines documented the harsh, potentially deadly conditions for young children in factories.  Photography, during the sexually-repressed Victorian era, also brought forth many...you guessed it!  Pornographers.

It may be purported that the Victorians were more "demure" with their porn - and yes, in many cases, Victorian porn was tame compared to modern standards.  Ankles were the cleavage of 1885.  The Nineteenth century, however, like any other century, had its share of perverts.  "French postcards" proved rather a hot commodity.  These photos were not of the Hustler and Geocities website variety.  A daguerrotype print takes up to three minutes to develop whilst the model poses.  Many French postcards, subsequently, are of thoughtful composition and highly posed.  In fact, many modern art critics consider them high art and elevate them as such.  It doesn't seem to matter what the subject matter is; whether it is a family portrait of the Royal Family or an orgy scene in a makeshift studio "harem"; composition and aesthetics are the defining factors in the art world.
 
 
 

When radio was invented, its key people such as Lee deForest envisioned the common people at last finding it possible to experience live "high" cultire in the comfort of their own living rooms.  Edwin Howard Armstrong, in turn, envisioned a radio-political democracy utopia, where leaders of every nation could meet in a public forum and discuss important issues and VOTE.  Though both men had lovely ideas for this new technology, it was David Sarnoff who discovered the TRUE power of mass-communcation...because it's always been with us....and that was popular entertainment.

During the 1920s, there were independent radio stations everywhere.  Thousands of them.  Due to lack of regulations, however, these stations began fighting over frequencies.  No one, other than th people selling the radios and the equipment for the exciting average mom-and-pop radio station, made much money from this new medium.  Between 1920 and 1930, radio operated as a service medium...a place to perform the popular music of the time.  Now the whole neighbourhood could hear Joe Blow squeezing out Sweet Rosie O'Grady from the comfort of their own homes.

People, clamouring for attention on the airwaves, started trying to cut off each other's frequencies.  Professionalism and shrewdness equalled success.  Copyright SNAFUs also got in the way...rather like what happened with Napster, which only goes to say that very little changes in eighty years.

"Since the media mergers have been increasng, the media industry is becoming more and more about turning quarterly profits than creating quality media, forcing producers to dumb everything down to the lowest common denominator."
                                                            -Sean McBride, animator, 2001

By the 1930s, one Vladimir Zworykin had already produced the first TV camera (called the kinescope).  Philo "There You Are, Electronic Television" Farnsworth wowed the world with his maize-inspired cathode ray: that little gun thing in your TV which shoots light in horizontal rows at a zillionth of a second.  But if television was such a good idea, why wasn't it on the mass market during the 1930s?

The answer is: the FCC wouldn't allow the new technology.
In 1934, the Federal Communications Act went under effect.  This dictates that broadcasting stations must be licenced.  It also mandates that they have the power to control amperage and frequency.  Those nine people on that panel also have the power to oversee new forms of communication.  There is also a federal law stating that new technology cannot be introduced until the existing technology has had a chance to make adjustments. During this time period, televisions relied upon silver nitrate for its picture tubes (a commodity found only today in Russia).  This is the same stuff used to coat filmstrips...and also used in the production of ammunition.  No silver nitrate was to be had by 1930.  No televisions, either, until the war was finished. When television DID hit the mass market after World War Two, however, history repeated itself yet again.  Advertisements for the fantastic new invention promised 'the opera in every home.'

Riiiiight.

Television's advent, of course, mirrored the story of radio, of photography, of the printing press.  The common people aren't using their televisions to watch Pavarotti performances or Carl Sagan...they're using them to watch American Idol and Sex and the City.  When people actually WANT to expand their minds and watch educational programmes, they are forced to pay for that programming out of their own pockets.  It's a never-ending cycle.

Yes, we have the capabilities to produce wonderful special effects in movies, but is that really all that important when the writing and acting is shitty?

It doesn't matter.

People complain about the FCC censoring everything, but they are incorrect.  The FCC does not censor anything.  That's the job of NAB, or the Bureau of Standards and Practices.  It determines what content is acceptable or unacceptable.  It is controlled by the networks and speaks for the networks.  It also controls our ideologies, our consuming patterns, and our lifestyles. If you want to get pissed off about the quality of television today, get pissed at NAB.  It's their fault.

James Cameron and Catherine Bigelow's 1995 movie Strange Days takes this story one step further.  Ralph Fiennes' character, Lenny Nero, lives in a mildly futuristic world where virtual reality images could be stored digitally and wired directly into the cerebral cortex, whereupon the user could re-experience an event not only as the person who lived it, but experience their perception as well.  Lenny Nero uses this potentially fantastic, wonderful technology for....yup, porn.

For every Beatles there is a Monkees.  For every Carl Perkins there is a Pat Boone.  For every Jim Morrison there is a Britney Spears. Quality will always be good, and it will always be bad, regardless of technology.  Your duty, then, is to discern which is mindless drivel...and which could make a positive difference in your life.

I'll give you a hint...you ain't gonna find it in a Cosmo.
 
 

I'm ending this with lyrics from a Divine Comedy song, Dumb It Down.

                                         You've got a personality; 
                                         We'll throw you in the sea
                                         And watch you drown.
                                         Dumb it down.
                                         Your concentration span's long;
                                         It's longer than this song,
                                         That's not allowed 
                                         Dumb it down.
                                         You don't need books to know what's what;
                                         We'll pile them up
                                         And burn them to the ground 
                                         Dumb it down 
                                         And if you say that we're corrupt,
                                         We'll round you up
                                         And run you out of town 
                                         Dumb it down.

                                         Intelligence is dangerous;
                                         A virus of the brain
                                         You pass around 
                                         Dumb it down.
                                         We'll vaccinate each boy and girl,
                                         Lobotomise the world
                                         Through sight and sound 
                                         Dumb it down.
                                         No one can tell you what to think
                                         And if you think that's true
                                         Then you're a clown 
                                         Dumb it down 
                                         'Cause freedom's waste on the free;
                                         You just don't see
                                         The beauty all around 
                                         You dumb it down.

                                         Well, down and down and down we slide.
                                         It's too tricky to decide
                                         Between channels one and sixty-three
                                         'Cause everything is mindless fluff
                                         Like this world's not dumb enough.
                                         Does anybody feels the same as me?
                                         Is there anybody listening?